SSfff
SSfff (2007), for 2-channel audio and video installation. Composed for High and Dry, Concert of new media. Riverside Music Authority and Open Fist Theater. March 1, 2007 at Open Fist
Cut
Cut (2004), for recorded samples, live electronics, live video feed, live-action drawing, and dancer. With Vuslat and Ilknur Demirkoparan, and David Horvitz. Performed at Technika Radika Festival, San Diego, January
We Share Something
We Share Something (2002), for 8-channel tape, California Institute for the Arts, October 9, 2002. Also at: Spectrum New Music Festival, First United Methodist Church, Santa Barbara, CA, May 24,
New Media/New Work @UCR
New Media/New Work (2002), a concert-length, collaborative, digital-intermedia performance work for 15 players. Performance Lab, UC Riverside, April 5, 2002. Roy O. Disney Hall, California Institute for the Arts, on
New Media/New Work @CalArts
New Media/New Work (2002), a concert-length, collaborative, digital-intermedia performance work for 15 players. Performance Lab, UC Riverside, April 5, 2002. Roy O. Disney Hall, California Institute for the Arts, on
The Ten Thousand Things
The Ten Thousand Things (2001), amplified cello and prepared piano. Commissioned for “Music and Identity in the Third Millennium,” University of California, Riverside, November 3, 2001. Supported with a grant
Satori
Satori (2000), for amplified violin and voice. Written for violinist Mark Menzies, 175 East Performance Spaces: Auckland, New Zealand, August 6, 2000 and Wellington, August 8, 2000. Roy O Disney
Piano Outtakes (Piano Take-Out)
Piano Outtakes (Piano Take-Out) (1991 rev. 2000), 2-channel tape. OPEN SPACE label, disc OS 12, 2000. Broadcast on “Foldover” (Radio Program) on WOBC 91.5FM, Oberlin, OH, October 1, 2001.
Lisa Lisa
Like Lisa (1991), computer-generated tape. Barnard College, New Music Festival, New York, 1991. As sound installation for theater collage “Daydreams of Violent Revolution” Downtown Art Company, New York,