SSfff (2007), for 2-channel audio and video installation. Composed for High and Dry, Concert of new media. Riverside Music Authority and Open Fist Theater. March 1, 2007 at Open Fist Theater, Los Angeles, CA.
We Share Something (2002), for 8-channel tape, California Institute for the Arts, October 9, 2002. Also at: Spectrum New Music Festival, First United Methodist Church, Santa Barbara, CA, May 24, 2003. (refereed selection), Third Annual “Women in New Music” Festival, California State University, Fullerton, March 13, 2004. (refereed selection) “SongLines” Series, Mills College, Oakland, CA. […]
The Ten Thousand Things (2001), amplified cello and prepared piano. Commissioned for “Music and Identity in the Third Millennium,” University of California, Riverside, November 3, 2001. Supported with a grant from the Ford Foundation through the Center for Ideas and Society. Roy O. Disney Hall, California Institute for the Arts, February 27th 2002.
Satori (2000), for amplified violin and voice. Written for violinist Mark Menzies, 175 East Performance Spaces: Auckland, New Zealand, August 6, 2000 and Wellington, August 8, 2000. Roy O Disney Hall, California Institute of the Arts, Valencia, CA, October 4, 2000. Broadcast and webcast on Concert FM 92.5, December 2000. Juried selection, “Feminist Theory and […]
Like Lisa (1991), computer-generated tape. Barnard College, New Music Festival, New York, 1991. As sound installation for theater collage “Daydreams of Violent Revolution” Downtown Art Company, New York, NY, 1991. Mandeville Recital Hall, La Jolla, CA, March 1992. Released on Sonic Comix: works by Renee T. Coulombe, on the Nena Dreams label, 1998. […]