Composer | Scholar | Improviser
Sympathetic Resonance (2014-2016) suite for prepared piano and electronics. This 4-movement concert-length work for solo prepared piano and electronics celebrates the piano’s pivotal role in the history western music, its prevalence as sound source for musicians and artists, as well as the remarkable technology of the instrument itself. Three movements of the work in […]
Pots and pans and empty shoes (2013), immersive fixed audio and prepared piano composition for Chapul’LA: an evening of performance art by visual artists, performers and writers on recent events in Turkiye, produced in conjunction with the Los Angeles Gezi Forum. Premiered at Highways Performance Space in Santa Monica, CA. September 14, 2013. Also presented […]
badland revelations (2011), for fixed digital audio, live audio processing, video installation and live piano performance. Premiered in the Performing HeArts program, Palomar College in San Marcos, CA on November 22, 2011. An edited version also performed at Mesa College for the Recital Hour series, San Diego CA October 11, 2012.
SSfff (2007), for 2-channel audio and video installation. Composed for High and Dry, Concert of new media. Riverside Music Authority and Open Fist Theater. March 1, 2007 at Open Fist Theater, Los Angeles, CA.
Cut (2004), for recorded samples, live electronics, live video feed, live-action drawing, and dancer. With Vuslat and Ilknur Demirkoparan, and David Horvitz. Performed at Technika Radika Festival, San Diego, January 30, 2004. Festival Link: http://www.calit2.net/newsroom/release.php?id=339
We Share Something (2002), for 8-channel tape, California Institute for the Arts, October 9, 2002. Also at: Spectrum New Music Festival, First United Methodist Church, Santa Barbara, CA, May 24, 2003. (refereed selection), Third Annual “Women in New Music” Festival, California State University, Fullerton, March 13, 2004. (refereed selection) “SongLines” Series, Mills College, Oakland, CA. […]
New Media/New Work (2002), a concert-length, collaborative, digital-intermedia performance work for 15 players. Performance Lab, UC Riverside, April 5, 2002. Roy O. Disney Hall, California Institute for the Arts, on October 9, 2002.
New Media/New Work (2002), a concert-length, collaborative, digital-intermedia performance work for 15 players. Performance Lab, UC Riverside, April 5, 2002. Roy O. Disney Hall, California Institute for the Arts, on October 9, 2002.
The Ten Thousand Things (2001), amplified cello and prepared piano. Commissioned for “Music and Identity in the Third Millennium,” University of California, Riverside, November 3, 2001. Supported with a grant from the Ford Foundation through the Center for Ideas and Society. Roy O. Disney Hall, California Institute for the Arts, February 27th 2002.