Not Art Dream Song
This special preview of the audio installation (below) of the first movement for “Dream Song Duet: For Ione” (with special thanks to Charlotte for her dreams, and Uncle for his
Yet more Sympathetic Resonance @ Sonorities Festival
Final movement from the world premiere! Sympathetic Resonance as transmedia suite for piano, digital audio installation and interactive video installation premiered at the Sonorities Festival of Contemporary Music at Queen’s
Continue readingYet more Sympathetic Resonance @ Sonorities Festival
Sympathetic Resonance
Sympathetic Resonance (2014-2016) suite for prepared piano and electronics. This 4-movement concert-length work for solo prepared piano and electronics celebrates the piano’s pivotal role in the history western music,
Pots and pans and empty shoes
Pots and pans and empty shoes (2013), immersive fixed audio and prepared piano composition for Chapul’LA: an evening of performance art by visual artists, performers and writers on recent events
badland revelations
badland revelations (2011), for fixed digital audio, live audio processing, video installation and live piano performance. Premiered in the Performing HeArts program, Palomar College in San Marcos, CA on November
12th Consciousness
12th Consciousness (2009), DVD audio-video installation. Published on Sounding Out! (Everglade, 2010) DVD in 5.1 surround, featuring new works by Mara Helmuth, Kristin Nordeval, Anna Rubin, Linda Dusman and Madelyn
SSfff
SSfff (2007), for 2-channel audio and video installation. Composed for High and Dry, Concert of new media. Riverside Music Authority and Open Fist Theater. March 1, 2007 at Open Fist
We Share Something
We Share Something (2002), for 8-channel tape, California Institute for the Arts, October 9, 2002. Also at: Spectrum New Music Festival, First United Methodist Church, Santa Barbara, CA, May 24,
New Media/New Work @UCR
New Media/New Work (2002), a concert-length, collaborative, digital-intermedia performance work for 15 players. Performance Lab, UC Riverside, April 5, 2002. Roy O. Disney Hall, California Institute for the Arts, on